Marie Raymond French, 1908-1989

  • Overview
    Marie Raymond in her studio, Paris, France, c. 1950. Photo: Willy Maywald
    Marie Raymond in her studio, Paris, France, c. 1950. Photo: Willy Maywald

    The Gallery represents the Estate of the artist Marie Raymond and has been working in partnership with the Marie Raymond Archives since 2019.

    Marie Raymond was a French painter and art critic. A prolific and inventive artist, she made a place for herself in the art world of Post-War Paris. She is also the artist Yves Klein’s mother.

  • Works
  • Video
  • Exhibitions
  • Publications
  • Biography
    Marie Raymond in her studio, Paris, France, c. 1956
    Marie Raymond in her studio, Paris, France, c. 1956

    THE YEARS OF STUDIES

    Marie Raymond was born on May 4th, 1908 at La Colle-sur-Loup in the south of France. Her father was a pharmacist and her grandfather was a flower and perfume merchant. Marie Raymond studied in the Blanche de Castille boarding school in Nice. From her adolescence, she practiced yoga, which was still rare in Europe at the time. This unusual interest came from her older sister Rose and her husband, a doctor.

    Marie Raymond discovered her vocation for painting on visiting the studio of Alexandre Stoppler, a painter based in Cagnes-sur-Mer. He trained the young artist by getting her to paint directly from life. Her memories of the scents, colours and light of the south of France determined the future development of Marie Raymond’s painting. She wrote: “From my early childhood, the memory of playing among mountains of cut roses that my grandfather bought all over the countryside has remained strong.” The south of France attracted artists, many whom visited Cagnes-sur-Mer to paint. This is how Marie Raymond met the Dutch painter Fred Klein whom she married in 1926. She was just eighteen years old.

    Two years after they met, Fred and Marie gave birth to a son, Yves Klein. Very early on, Marie Raymond had the deep conviction that her son was destined for an extraordinary future: “I was already aware and desired one day to have a son who would be famous. I have always very clearly remembered a phrase from an Opera I heard in Nice. It was Antar, I think, a phrase stayed in my memory that echoed very strongly in me: ‘and one can, with the beat of a wing, fly away to the Sun’, sung of course. And when I consider life, Yves’s momentum, I can’t help finding in it something like the prescience of destiny which was realized, achieved by Yves Klein’s life in its meteoric evolution.”

     

    LIFE BETWEEN PARIS AND THE SOUTH OF FRANCE

    The Klein family regularly moved back and forth between Paris and the South, between the desire to live in the art world and economic reality. In Montparnasse, they lived a bohemian life among their friends the artists Jacques Villon, Frantisek Kupka, and especially Piet Mondrian with whom Marie Raymond shared her studio. As she described: “It was like a family, many brothers who found each other and had fun in endless conversations. I still remember chatting to Mondrian, at the Dancing de la Coupole. I wasn’t yet twenty, he was sixty, but he was so happy to be dancing.” Between the south of France and the Netherlands, another painter influenced Marie Raymond: Van Gogh, whose Gardener she first saw, in the form of a coloured print, at Jacques Villon’s home.

    Back in Nice in 1932, Marie and Fred became close to Nicolas de Staël and his first wife, Janine Teslar. Marie Raymond attended classes at the Nice school of decorative arts where she met the sculptor Émile Gilioli. She was awarded the commission for a fresco for the pavilion of the Alpes-Maritimes at the International Exposition of 1937. In 1938, Fred Klein exhibited in Amsterdam and the family took advantage of this to visit the Netherlands. At the start of the war, the family settled in Cagnes-sur-Mer where Marie Raymond started to paint Imaginary Landscapes (1941-1944), inspired by her wanderings in the hinterland; this is when she met Jean Arp and Alberto Magnelli.

    At the end of the war, Marie Raymond left her post-Surrealist period and chose abstraction definitively: “gradually, you become internalized, you work. I again sensed the need to express something, but what? The sun still shines! But nothing tangible. How do you recompose life? This is how the first step towards abstract painting is taken.” She made herself a place in the Parisian art scene. Until 1954, Marie Raymond opened her apartment-studio every Monday, creating the “Mondays of Marie Raymond” where the gallerists Colette Allendy, Iris Clert, artists Pierre Soulages, Raymond Hains, François Dufrêne, Jacques de la Villeglé, César, Jean Tinguely, Hans Hartung, and Nina Kandinsky, as well as the critics Charles Estienne, Pierre Restany, and Georges Boudaille would gather. Pierre Soulages said: “We would go, especially

    in the evening, for a coffee. We were close, Colette and I, and also our friend Hartung who liked Marie’s painting a lot.”

    Marie Raymond was also an art critic. She published many articles, especially in the Dutch magazine Kunst en Kultuur for which she was the Paris correspondent from 1939 to 1958.

     

    RECOGNITION

    In 1945, Marie Raymond participated in her first major exhibition at the Salon des Surindépendants. Her work was hung alongside pieces by Hans Hartung, Jean Dewasne, Jean Deyrolle and Gérard Schneider. The following year, Marie Raymond participated in the exhibition La Jeune Peinture Abstraite at the Galerie Denise René. The same year, she exhibited with Serge Poliakoff and Engel Pak at the Centre de Recherches d’Art Abstrait in Paris and then at the first Salon des Réalités Nouvelles. In 1949, she was awarded the Kandinsky Prize with Youla Chapoval and at the Galerie de Beaune an exhibition was held entitled Les Gouaches de Marie Raymond. This artist also participated in the first São Paolo Biennale in Brazil.

    In 1951, Marie Raymond presented her work with Arp, Doméla, Magnelli, Poliakoff, amongst others at the traveling exhibition Klar Form – 20 Artistes de l’École de Paris organized by Denise René. This exhibition traveled to Copenhagen, Helsinki, Stockholm, Oslo and Liège. In 1952, Marie Raymond exhibited at the Salon de Mai. She interviewed Matisse for the Japanese magazine Mizue.

    In 1953, the Klein couple exhibited for three days at the Franco-Japanese Institute of Tokyo and at the Bridgestone Museum of Art in Tokyo. Marie Raymond was given a solo show at the Museum of Modern Art of Kamakura.

    Fred and Marie participated in 1955 in a travelling exhibition of the Der Kreis (The Circle) Group in Austria and Germany. Marie Raymond then exhibited at the Rio de Janeiro Museum of modern art and at the Lausanne Musée Cantonal. In 1957, an important retrospective called Marie Raymond was held at the Stedelijk Museum in Amsterdam. In 1960, she entered the Marzotto Prize and won a prize for France with the painter Dmitrienko.

    At that time, the painter Marie Raymond’s form of abstraction was luminous and lyrical. “For those who haven’t understood the Abstract process, I will try to give a few indications of my working method. After preparing canvases and colours, I would go outside to penetrate myself with the day’s light, walk, even run a little in the Luxembourg gardens near my home, so as to distance myself from the material gesture. For many years, on coming back home, I would focus by reading a few pages from Bergson’s Creative Evolution, which is so full of images, so poetic. With this backbone: having reached a certain internal rhythm, I approached the canvas. A harmony having been revealed, the next stage was tuning and the rhythm of this

    internal state reached beyond reality and was experienced internally, something beyond the tangible, a chord with ‘the immaterial’ in summary that Yves made light, later on.”

    Then came the difficult years for Marie Raymond. The Kleins separated in 1958 and divorced in 1961. The following year, Yves Klein married Rotraut Uecker and died that year of a heart attack at the age of only thirty-four. Marie Raymond said: “Yves had prepared a painting of gold and still had a bouquet of artificial roses separately, taking the bouquet in his hands, he placed it on the painting and asked me the question: “What does this make you think of?” (…) These paintings, he called them “tombs”. Was it a premonition? Because he was in perfect health and very active: This was in the spring, his wife was expecting their child. Who could have foretold that a few months later, he would be carried off so suddenly, in the prime of life, while accomplishing his work.” Marie Raymond’s father also died of a heart attack in 1963.

    Marie Raymond’s painting was changed forever by these experiences. The artist found inspiration again in her passion for esotericism and the Cosmos. From 1964, she painted a series of works that she called Abstraction-Figures-Astres. Marie Raymond exhibited at the Galerie Cavalero in Cannes at the Fondation Maeght at Saint-Paul-de-Vence and at the Galerie aux Bateliers in Brussels. In 1966, Daniel Templon opened his first gallery, the Galerie Cimaise Bonaparte, with an exhibition of Marie Raymond. In 1972 a major show of her work and of her son, Yves Klein, was organized at the Château-Musée of Cagnes-sur-Mer. In 1988, the Pascal de Sarthe Gallery in San Francisco dedicated a solo exhibition to Marie Raymond. Three times, works by her were shown at the Centre Pompidou in Paris: in 1977, in the exhibition Paris – New York, in 1981, in the exhibition Paris – Paris, Créations en France 1937 – 1957, and finally in 1988 during the exhibition Les Années 50. Marie Raymond died the following year in 1989.

  • COLLECTIONS (SELECTION)

    Musée des arts, Nantes, France

    Musée national d’art moderne - Centre Pompidou, Paris, France

    Château-Musée Grimaldi, Cagnes-sur-Mer, France

    Stedelijk Museum, Amsterdam, Netherlands

    Bridgestone Museum of Art, Tokyo, Japan

  • EXHIBITIONS (SELECTION)

    12e Salon des Indépendants, Paris, France, 1945

    Group exhibition, Peinture Abstraite : Dewasne, Deyrolle, Marie Raymond, Hartung, Schneider, Galerie Denise René, Paris, France, 1946

    Group exhibition, Marie Raymond, Engel Pak, Poliakoff, Centre de Recherches d’Art Abstrait, Paris, France, 1946

    Salon des Réalités Nouvelles, Paris, France, 1946, 1947, 1948, 1958, 1962, 1968

    Group exhibition, Duthoo, Poliakoff, Poujet, Marie Raymond, Alfred Reth, Galerie Denise René, Paris, France, 1947

    Group exhibition, Peintures Abstraites, Galerie Denise René, Paris, France, 1947

    Group exhibition, Sculptures et peintures contemporaines, Galerie Denise René, Paris, France, 1948

    Group exhibition, Prise de terres, Peintres et sculpteur de l’objectivité, Galerie Breteau, Paris, France, 1948

    Group exhibition, Tendances de l’art abstrait, Galerie Denise René, Paris, France, 1948

    Group exhibition, Denise René présente les lauréats du prix Kandinsky 1949, M. Raymond Chapoval, Galerie Denise René, Paris, France, 1949

    Group exhibition, Peintures et sculptures abstraites, Galerie Colette Allendy, Paris, France, 1949

    Group exhibition, D’une saison à l’autre, Galerie Colette Allendy, Paris, France, 1950

    Group exhibition, Prix Kandinsky 1946-1950 : Dewasne, Deyrolle, Poliakoff, Max Bill, M. Raymond, Chapoval, Mortensen, Galerie Denise René, Paris, France, 1950

    Group exhibition, Gouaches sculptures, Galerie de Beaune, Paris, France, 1950

    Solo exhibition, Gouaches de Marie Raymond, Galerie de Beaune, Paris, France, 1950

    Solo exhibition, Marie Raymond : peintures gouaches, Galerie de Beaune, Paris, France, 1951

    São Paulo Art Biennial, Brazil, 1951

    Group exhibition, Klar Form, Charlottenborg Museum, Copenhagen, Denmark, 1951

    Salon de Mai, Paris, France, 1952, 1961

    Group exhibition, Peintre de la Nouvelle École de Paris, Galerie de Babylone, Paris, France, 1952

    Group exhibition, Marie Raymond - Fred Klein, Institut franco-japonais de Tokyo, Japan, 1953

    Group exhibition, Marie Raymond Garbell Hillaireau : Lyrisme de la couleur, Galerie Art Vivant, Paris, France, 1953

    Group exhibition, Denise René présente…, Galerie Denise René, Paris, France, 1953

    Group exhibition, Marie Raymond - Fred Klein, Bridgestone Museum of Art, Tokyo, Japan, 1953

    Group exhibition, Exposition vente au profit des sinistres de Hollande, Galerie des Beaux-Arts, Paris, France, 1953

    Solo exhibition, Marie Raymond, Museum of Modern Art, Kamakura, Japan, 1953

    Solo exhibition, Marie Raymond, Galerie du Théâtre de Poche, Brussels, Belgium, 1954

    Group exhibition, Du Futurisme à l’art abstrait, Musée cantonal des Beaux-Arts, Lausanne, Switzerland, 1955

    Group exhibition, Herbin, Miró, Vieira da Silva, Klee, Goebel, Freist, Raymond, Galerie Art vivant, Paris, France, 1956

    Solo exhibition, Marie Raymond, Galerie Colette Allendy, Paris, France, 1956

    Solo exhibition, Marie Raymond, Stedelijk Museum, Amsterdam, Netherlands, 1957

    Group exhibition, Micro-Salon d’avril, Galerie Iris Clert, Paris, France, 1957

    Group exhibition, II Micro-salon di Iris Clert di Iris Clert di Parigi in esclusività per l’Italia, Galerie Apollinaire, Milan, Italy, 1957

    Group exhibition, Micro-Salon, Galerie de La Tartaruga, Rome, Italy, 1957

    Solo exhibition, Peintures de Mme Marie Raymond, Salle des expositions, La Colle-sur-Loup, France, 1957

    Solo exhibition, Marie Raymond, Utrechtse Kring, Utrecht, Netherlands, 1957

    Group exhibition, Micro-salon 58, Galerie Iris Clert, Paris, France, 1958

    Group exhibition, Micro-salon, Galerie Europe, Brussels, Belgium, 1959

    Solo exhibition, Marie Raymond, Galerie Cavalero, Cannes, France, 1963

    Group exhibition, Ado, Fouque, Haminsky, Herth, Humair, Ivakovic, Jampeler, Laksine, Raymond, Galerie Cimaise Bonaparte, Paris, France, 1966

    Solo exhibition, Marie Raymond : Peintures 1960-1966, Galerie Cimaise Bonaparte (Galerie Templon), Paris, France, 1966

    Group exhibition, Dix ans d’Art Vivant 1945-1955, Fondation Maeght, Saint Paul-de-Vence, France, 1966

    Solo exhibition, Marie Raymond Peintures– Dessins, Galerie aux Bateliers, Brussels, Belgium, 1966

    Group exhibition, L’Art contemporain, Musée Galliera, Paris, France, 1968

    Group exhibition, Marie Raymond - Yves Klein, Château Musée, Cagnes-sur-Mer, France, 1972

    Group exhibition, Les Prix Kandinsky 1946-1961, Galerie Denise René, Paris, France, 1975

    Ier Biennale française de la tapisserie en hommage à Jean Lurçat, Palais de l’Europe, Menton, France, 1975

    IIe Biennale Française de la Tapisserie en hommage à Le Corbusier, Palais de Juan-les-Pins, Antibes, France, 1977

    Group exhibition, Paris - New York, Centre Georges Pompidou, Paris, France, 1977

    Group exhibition, Réalités nouvelles 1946-1956. Anthologie d’Henry Lhotellier, Musée des beaux-arts et de la dentelle, Calais, France, 1980

    Group exhibition, Peintres de l’abstraction lyrique à Saint-Germain-des-Prés 1946-1956, Mairie annexe du 6ème arrondissement, Paris, France, 1980

    Group exhibition, UFPS 80, 96e salon de l’Union des femmes peintres, sculpteurs, graveurs, décorateurs, Musée du Luxembourg, Paris, France, 1980

    Group exhibition, Paris - Paris, Créations en France 1937-1957, Centre Georges Pompidou, Paris, France, 1981

    Group exhibition, Charles Estienne et l’art à Paris 1945-1966, Centre National des Arts

    Plastiques, Paris, France, 1984

    Group exhibition, La Part des femmes dans l’art contemporain, Galerie Municipale, Vitry-sur-Seine, France, 1984

    Group exhibition, Aspects de l’art en France de 1950 à 1980, Musée Ingres, Montauban, France, 1985

    Group exhibition, Les Années 50, Espace Sonia Delaunay, Grand-Couronne, France, 1985

    Group exhibition, L’Abstraction ou la liberté de peindre de Kupka à Atlan, Galerie d’art contemporain Galarte, Paris, France, 1985

    Group exhibition, Hommage à Iris Clert, Acropolis, Nice, France, 1986

    Group exhibition, Comparaison 1986, Grand Palais, Paris, France, 1986

    Group exhibition, Juin de l’abstraction, abstraction de A à Z : œuvres de 1930 à 1987,

    Galerie 5, Fontainebleau, France, 1987

    Group exhibition, L’Art en Europe – Les années décisives 1945-1953, Musée d’art moderne, Saint-Étienne, France, 1987

    Group exhibition, Abstraction expressions– confrontations 1950-1970, Galerie Bernard

    Davignon, Paris, France, 1988

    Group exhibition, Les Années 50, Centre Georges Pompidou, Paris, France, 1981

    Group exhibition, L’École de Paris - 1945-1964, National Museum of History and Art, Luxembourg, 1988

    Aspects de l’Art abstrait des années 1950, travelling group exhibition: Foyer de l’Opéra, Lille; Vieille église Saint-Vincent, Bordeaux; Auditorium Maurice Ravel, Lyon; Chapelle Saint-Louis, Rouen; Hôtel-Dieu Saint-Jacques, Toulouse; Musée Hébert, Grenoble; Palais de la Bourse, Nantes; Casino Municipal, Royat; Mairie de Nancy, France, 1988-1989

    Solo exhibition, Marie Raymond, Forty Years of Abstract Painting, Pascal de Sarthe Gallery, San Francisco, United States, 1988

    Solo exhibition, Marie Raymond – In Retrospect, works from 1946 to 1979, Pascal de

    Sarthe Gallery, Los Angeles, United States, 1991

    Solo exhibition, Marie Raymond, Rétrospective 1937-1987, Museum of Modern and Contemporary Art, Nice, France, 1993

    Solo exhibition, Marie Raymond, Galerie Pèpe, La Colle-sur-Loup, France, 2004

    Group exhibition, Marie Raymond – Yves Klein, Musée des beaux-arts, Angers, France, 2004

    Group exhibition, Marie Raymond - Yves Klein, Musée Joseph Déchelette, Roanne, France, 2005

    Group exhibition, Marie Raymond – Yves Klein, Musée des beaux-arts, Carcassonne, France, 2006

    Group exhibition, Marie Raymond – Yves Klein, Ludwig Museum, Koblenz, Germany, 2006

    Group exhibition, Marie Raymond – Yves Klein, LAAC Dunkerque, Dunkirk, France, 2007

    Group exhibition, Marie Raymond – Yves Klein Herencias, Círculo de Bellas Artes, Madrid, Spain, 2009

    Solo exhibition, Marie Raymond, Galerie Arnoux, Paris, France, 2011

    Group exhibition, Yves, Doge's Palace, Genoa, Italy, 2012

    Group exhibition, Femmes artistes. Passion, muses et modèles, Château de Chamerolles, Chilleurs-aux-Bois, France, 2012

    Solo exhibition, Marie Raymond – Vers la Lumière, Galerie Diane de Polignac, Paris, France, 2019

    Group exhibition, Femmes Années 50, Musée Soulages, Rodez, France, 2019-20

    Group exhibition, Au Cœur des abstractions, Marie Raymond et ses amis, Musée de Tessé, Fine Arts Museum of Le Mans, France, 2021

    Group exhibition, ABSTRAITES : Cinq femmes – cinq expressions artistiques, Galerie Diane de Polignac, Paris, France, 2021

    Group exhibition, Les Années 1970-1980 : l'Explosion de la Couleur, Galerie Diane de Polignac, Paris, France, 2021

    Group exhibition, Post-War Prize Winners, Hanina Fine Arts, London, United Kingdom, 2021

    Group exhibition, Les Années 1940, Quand les procédés surréalistes permettent l’abstraction, Galerie Diane de Polignac, Paris, France, 2022

    Group exhibition, Abstract Impressionism, Hanina Fine Arts, London, United Kingdom, 2023

    Solo exhibition, Marie Raymond, Le Royaume invisible, Abstraction-Figures-Astres,

    Galerie Diane de Polignac, Paris, France, 2023

    Group exhibition, Action, Geste, Peinture : Femmes dans l’abstraction, une histoire mondiale (1940-1970), Kunsthalle Bielefeld, Germany; Whitechapel Gallery, London, United Kingdom; Fondation Vincent Van Gogh, Arles, France, 2023

    Group exhibition, Seffa Klein, A Family Constellation, Galerie Poggi, Paris, France, 2024

    Group exhibition, Roberto Matta & Marie Raymond, Rêveries cosmiques, Galerie Diane de Polignac, Paris, France, 2025

  • Bibliography
    Marie Raymond in her studio, Paris, France, c. 1948. Photo : J. Bokma - E. De Vrie
    Marie Raymond in her studio, Paris, France, c. 1948. Photo : J. Bokma - E. De Vrie

    Marie Raymond, « Abstraction, Lyrisme, Vérité… », Kroniek Van Kunst En Kultuur, n°15, juin 1939

    Charles Estienne, Léon Degand, Pour ou contre l’art abstrait, Paris, Le Courneur, 1947

    Marie Raymond, « Les Origines de l’Art abstrait », Kroniek Van Kunst En Kultuur, n°9, septembre 1949

    Marie Raymond, « Soulages à la Galerie Lydia Conti, Vieira da Silva à la Galerie Pierre », Kroniek Van Kunst En Kultuur, n°11, novembre 1949

    Charles Estienne, L’art abstrait est-il un académisme ?, Paris, Éditions de Beaune, 1950

    Michel Ragon, Expression et non-figuration, Paris, Éditions de la Revue, 1950

    Pierre Francastel, Peinture et société, Lyon, Éditions Audin, 1951

    Léon Degand, Julien Alvard, Roger Van Gindertael, Témoignage pour l’art abstrait, Paris, Art d’Aujourd’hui, n°1, 1952

    Pierre Courthion, Peinture d’aujourd’hui, Genève, Pierre Caillier, 1952

    Marie Raymond, « Interview avec Henri Matisse », Mizue, Tokyo, n°571, mars 1953

    Robert Lebel, Pierre Descargues, Roger Van Gindertael, Premier bilan de l’art actuel, Paris, Le

    Soleil Noir, 1953

    Renée Huyghe, Dialogue avec le visible, Paris, Flammarion, 1955

    Michel Ragon, L’aventure de l’art abstrait, Paris, Robert Laffont, 1956

    Marcel Brion, L’abstraction, Paris, Aimery Somogy, 1956

    Jean Bouret, L’art abstrait : ses origines, ses luttes, sa présence, Paris, Club français du livre, 1957

    Michel Seuphor, Dictionnaire de la peinture abstraite, Paris, Fernand Hazan, 1957

    Bernard Dorival, Les peintres du XXe siècle, Paris, Tisné, 1957

    Gabrielle Buffet-Picabia, Aires abstraites, Genève, Pierre Caillier, 1957

    Michel Ragon, La peinture actuelle, Paris, Berger Levrault, 1959

    Pierre Restany, Lyrisme et abstraction, Milan, Apollinaire, 1960

    Jean Cassou, Panorama des arts plastiques contemporains, Paris, Gallimard, 1960

    Michel Ragon, Naissance d’un art nouveau – Tendances et techniques de l’art, Paris, Albin Michel, 1963

    Raymond Bayer, Entretiens sur l’art abstrait, Genève, Pierre Caillier, 1964

    Michel Seuphor, La peinture abstraite, sa genèse, son expansion, Paris, Flammarion, 1964

    Herbert Read, Histoire de la peinture moderne, Paris, Somogy, 1966

    Dora Vallier, L’art abstrait, Paris, Le Livre de Poche, 1967

    Michel Ragon, Michel Seuphor, L’art abstrait 1939-1970, Paris, Galerie Maeght, vol. III, 1973

    Marie Raymond, « Au Grand-Palais, la FIAC 79 – Les Fantasmes de Picasso », + – O, n°29, avril 1980

    Michel Ragon, 25 ans d’art vivant 1944-1969, Paris, Galilée, 1986

    Marie Raymond - Forty Years of Abstract Painting, San Francisco, Pascal de Sarthe Gallery, 1988

    Geneviève Bonnefoi, Les années fertiles 1940-1960, Paris, Mouvements, 1988

    Jean-Luc Daval, Histoire de la peinture abstraite, Paris, Fernand Hazan, 1988

    Georges Boudaille, Patrick Javault, L’art abstrait, Paris, Nouvelles Éditions françaises, 1990

    Marie Raymond Rétrospective 1937-1987, Nice, MAMAC, 1993

    Lydia Harambourg, L’École de Paris 1945-1965 Dictionnaire des peintres, Neuchâtel, Ides et

    Calendes, 1993

    Century of artistic freedom 1898-1998 Vienna Secession, Munich, Éditions Prestel, 1998

    L’École de Paris ? 1945-1964, Musée national d’histoire et d’art, Luxembourg, 1998

    Robert Fleck, Marie Raymond – Yves Klein, Angers, Expressions contemporaines, 2004

    Robert Fleck, Marie Raymond / Yves Klein, Coblence, Kerber Verlag, Bielefeld / Ludwig Museum, 2006

    Marie Raymond – Yves Klein Herencias, Madrid, Círculo de bellas arte, 2009

    Marie Raymond - Yves Klein. Herencias, Angers, Expressions contemporaines, France, 2010

    Charles Estienne, critique d’art des années 50, Édition Musée des Beaux-Arts, Brest, France, 2011

    Marie Raymond – Vers la lumière, Paris, Galerie Diane de Polignac, 2019

    Action, Geste, Peinture : Femmes dans l’abstraction, une histoire mondiale (1940-1970), Fondation Vincent van Gogh Arles / Whitechapel Gallery / Kunsthalle Bielefeld, 2023

    Lucia Pesapane, Marie Raymond, Le Royaume invisible, Abstraction-Figures-Astres, Paris, Galerie Diane de Polignac, 2023

    Roberto Matta & Marie Raymond, Rêveries cosmiques, Paris, Galerie Diane de Polignac, 2025

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