Gérard Schneider French-Swiss, 1896-1986

  • Overview
    Gérard Schneider posing in front of Opus 26 B (1952), studio rue Armand-Moisant, Paris, France, c. 1953 © Archives Gérard Schneider / Adagp, Paris
    Gérard Schneider posing in front of Opus 26 B (1952), studio rue Armand-Moisant, Paris, France, c. 1953 © Archives Gérard Schneider / Adagp, Paris

    The Gallery represents the Estate of the artist Gérard Schneider since 2012. The Gallery has assisted the artist’s family in the preparation of the Catalogue raisonné and works today in close collaboration with the Gérard Schneider Archives.

    Pioneer of Lyrical Abstraction, along Hans Hartung and Pierre Soulages, Gérard Schneider is a leading figure of this new, utterly free, gestural abstraction, which emerges in Post-War Paris.

  • Works
  • Video
  • Exhibitions
  • Publications
  • Biography
    Gérard Schneider posing in front of Opus 26 B (1952), studio rue Armand-Moisant, Paris, France, c. 1953 © Archives Gérard Schneider / Adagp, Paris
    Gérard Schneider posing in front of Opus 26 B (1952), studio rue Armand-Moisant, Paris, France, c. 1953 © Archives Gérard Schneider / Adagp, Paris

    THE YEARS OF STUDY (1916-1937)                

    Gérard Schneider was born in Sainte-Croix in Switzerland in 1896. He spent his childhood in Neuchâtel where his father was a cabinetmaker and antique dealer. At the age of 20, he went to Paris to study at the École nationale des arts décoratifs, and then in 1918 entered the studio of Fernand Cormon at the École Nationale des Beaux-Arts de Paris. Cormon had also taught Vincent van Gogh and Henri de Toulouse-Lautrec. In 1922, Gérard Schneider settled permanently in Paris. The 1920s and 1930s were marked by a long period during which he learned different techniques and the history of painting.

     

    In 1926, Gérard Schneider’s exhibition took place for the first time at the Salon d’Automne. The work he showed, L’Allée hippique (Horse Pathway), attracted attention. He also frequented musical circles in Paris. He exhibited five paintings, including Figures dans un jardin (Figures in a Garden) at the Salon des Surindépendants of 1936, which were appreciated by the critic of La Revue Moderne: “a style, figures of such agility that the expression of movement seems to have been included in the rapid technique”. He also discovered the artistic movements of the century of upheavals and tragedies during this period.

     

    In the mid-1930s, the painter Gérard Schneider assimilated the revolution initiated by Kandinsky’s abstraction, while also exploring the new horizons introduced by Surrealism. He no longer painted from reality. His palette darkened, black now occupied an important position and formed structures. He wrote poems and frequented the Surrealists: Luis Fernandez, Oscar Dominguez, Paul Éluard and Georges Hugnet.

     

    TOWARDS ABSTRACTION (1938-1949)

    From 1938, the titles of Gérard Schneider’s paintings no longer referred to reality: the three sent to the Salon des Surindépendants were called Composition. In 1939, he met Picasso. Around 1944, his painting definitively abandoned all references to reality. In 1945, the Musée National d’Art Moderne bought one of Gérard Schneider’s paintings (Composition, 1944).

     

    In the effervescence of the immediate post-war period, Gérard Schneider’s art played a pioneering role in the birth of a new form of abstraction. In Paris, the painter Gérard Schneider and other precursors proposed a return to the radicality of abstraction, a form of abstraction that no longer had any connection with the real and perceptible world and would become a landmark, it matched the aesthetic imperatives of this transitional period: it was called Lyrical Abstraction.

     

    THE “YEARS OF GLORY” (1950-1961)

    Alongside artists such as Jean-Michel Atlan, André Lanskoy, Georges Mathieu and especially Hans Hartung and Pierre Soulages with whom he formed sincere friendships, Gérard Schneider very quickly saw his work acquire an international dimension. From the mid-1940s, major exhibitions grouping the main members of Lyrical Abstraction were organized in Paris, especially at the galleries of Lydia Conti and Denise René.

     

    Abroad, at major travelling exhibitions, the public discovered this vital creative momentum: around Germany from the late 1940s: this was the exhibition Wanderausstellung Französischer Abstrakter Malerei (Travelling exhibition of French abstract paintings) which circulated throughout West Germany between 1948 and 1949. Schneider’s works were exhibited immediately afterwards in the USA: at the Betty Parsons Gallery (in 1949 and 1951) and in the major travelling exhibition Advancing French Art that was shown all over the country, from Chicago to San Francisco.

     

    Between 1955 and 1961, the Samuel Kootz Gallery in New York was his exclusive dealer in the USA and his representative there. The painter Gérard Schneider joined his friend Pierre Soulages in this prestigious gallery. The Phillips Gallery of Washington bought Opus 445 of 1950 and New York’s MoMA bought Opus 95 B of 1955.

     

    In 1956, Gérard Schneider married for the second time, his wife was Loïs Frederick a young American woman who had come to Paris to study art on a Fulbright scholarship, whom he met through Marcel Brion. Around the same time, Schneider met Eugène Ionesco.

     

    Exhibitions were held successively around the world. From the early 1950s, Gérard Schneider’s works were exhibited in Europe: for example, in Brussels where there was a first retrospective in 1953, then a second one in 1962 in association with the Düsseldorf Kunstverein. He also participated in the first two editions of Documenta in Kassel in 1955 and 1959. Gérard Schneider exhibited three times at the Venice Biennale, in 1948, 1954 and 1966. In 1957, he won the award Prix Lissone.

     

    His works also travelled regularly, to Japan from 1950 until the early 1970s, especially for the International Exposition of Art. In addition, for the International Art Exhibition in Tokyo in 1959, he was awarded the prize of the Governor of Tokyo. Gérard Schneider also showed several times at the São Paulo Biennale: in 1951, 1953 and 1961. During the 1961 edition, Jean Cassou, chief curator of the Musée National d’art moderne of Paris, asked Schneider to create four canvas paintings 2 x 3 m for a group of ten large format works that were exhibited.

     

    THE “YEARS OF ENLIGHTENMENT” (1962-1972)

    During the 1960s, he maintained a close connection with the Milan-based dealer, Bruno Lorenzelli who held many exhibitions of his work around Italy. This decade of change saw Gérard Schneider’s painting acquiring more colour, becoming freer while the gesture acquired a definitively calligraphic dimension.

     

    Yet again, Gérard Schneider’s work evolved and echoed the aesthetic aspirations of his time as much as a complex interior process that had begun many years earlier. A synthesis of the notions of form, colour and space.

     

    At the 1966 Venice Biennale, an entire room of the French Pavilion was devoted to his work.

    Similarly, a major retrospective was held of his work in Turin in 1970 where about a hundred paintings were exhibited at the Galleria Civica d’Arte Moderna. This was a great success, and then the exhibition continued at the “Terre des Hommes” Pavilion in Montreal.

     

    MATURITY AND THE LARGE WORKS ON PAPER (1973-1986)

    At over 70, Gérard Schneider’s art continued its effervescence. The fire was still as intense. The volcanic eruption of colour more fervent than ever, as if his work was destined never to be extinguished. Exhibitions of the painter Gérard Schneider continued at the same pace, such as those held by the Galerie Beaubourg in Paris.

    This fire, this energy, required a speed of execution that only paper seemed to allow. At the start of the 1980s, he turned towards this support almost exclusively. This is how, in the intimacy of his studio, large and luminous compositions full of colour were born, enflamed, the unreal beauty of which continue to fascinate.

     

    The painter Gérard Schneider left this world on July 8th, 1986 at the age of 90 and bequeathed us an oeuvre that was both simultaneously unfathomable in its aesthetic complexity and yet so close, so human and so sensitive. In 1998, Michel Ragon published a major monograph on his work.

     

    The Diane de Polignac Gallery accompanied Laurence Schneider, daughter of the artist, in the creation of the Catalogue raisonné. Today, the Gérard Schneider Archives continue this essential research work in order to keep this Catalogue raisonné up to date, as it is a fundamental tool for understanding the work.

  • COLLECTIONS (SELECTION)

    Germany

    Cologne, Museum Ludwig

     

    Brazil

    Rio de Janeiro, Museu de Arte Moderna do Rio de Janeiro

     

    Belgium

    Brussels, Modern Museum

     

    South Korea

    Seoul, Fine Art Museum

     

    United States

    Buffalo, NY, Albright-Knox Art Gallery

    Colorado Springs, Co, Fine Art Center

    Los Angeles, Ca, University of California

    Minneapolis, Mn, Walker Art Center

    New Haven, Ct, Yale University

    New York, NY, Museum of Modern Art (MoMA)

    Phoenix, Az, Phoenix Museum

    Princeton, Ma, Princeton University

    Saint-Louis, Mo, Washington University

    Washington D.C., The Phillips Collection

    Worchester, Ma, Worchester Museum

     

    France

    Dunkerque, LAAC

    Nantes, Musée d'Arts

    Paris, Musée d'Art Moderne de Paris

    Paris, Musée national d'Art Moderne - Centre Pompidou

     

    Indonésie

    Jakarta, National Museum

     

    Italie

    Rome, Galleria d'Arte Moderna

    Turin, Galleria civica d'Arte Moderna

     

    Japan

    Kamakura, Museum of State

     

    Norway

    Oslo, Sonja Henie and Niels Onstad Foundation

     

    Switzerland

    Genève, Fondation Gandur pour l'Art

    Neuchâtel, Musée d'Art et d'Histoire

    Zurich, Kunsthaus

  • EXHIBITIONS (SELECTION)

    Gérard Schneider, Galeries Léopold Robert, Neuchâtel, Switzerland, 1920

    Gérard Schneider, Galerie Lydia Conti, Paris, France, 1947

    Gérard Schneider, Galerie Lydia Conti, Paris, France, 1948

    Gérard Schneider, Galerie Lydia Conti, Paris, France, 1950

    Gérard Schneider, Galerie de Beaune, Paris, France, 1951

    Gérard Schneider, Betty Parsons Gallery, New York, NY, United States, 1951

    Gérard Schneider, Galerie Ex-Libris, Brussels, Belgium, 1952

    Gérard Schneider, Galerie Der Spiegel, Cologne, Germany, 1952

    Gérard Schneider, Galerie Otto Stangl, Munich, Germany, 1952

    Gérard Schneider, Kaiser Wilhelm Museum, Krefeld, Germany, 1952

    Gérard Schneider, Galerie Der Spiegel, Cologne, Germany, 1953

    Gérard Schneider, rétrospective, Palais des beaux-arts, Brussels, Belgium, 1953

    Gérard Schneider, Galerie Arnaud, Paris, France, 1954

    Gérard Schneider, Galerie Galanis, Paris, France, 1954

    Gérard Schneider, Galerie Der Spiegel, Cologne, Germany, 1955

    Gérard Schneider, Kootz Gallery, New York, NY, United States, 1956

    Gérard Schneider, Galerie Der Spiegel, Cologne, Germany, 1957

    Gérard Schneider, Kootz Gallery, New York, NY, United States, 1957

    Gérard Schneider, Galleria Apollinaire, Milan, Italy, 1958

    Gérard Schneider, Kootz Gallery, New York, NY, United States, 1958

    Gérard Schneider, Galerie Arnaud, Paris, France, 1959

    Gérard Schneider, Kootz Gallery, New York, NY, United States, 1959

    Gérard Schneider, Galerie du Musée de poche, Paris, France, 1959

    Gérard Schneider, Minami Gallery, Tokyo, Japan, 1960

    Gérard Schneider, Nakanoshima Gallery, Osaka, Japan, 1960

    Gérard Schneider, Galleria Lorenzelli, Milan, Italy, 1960

    Gérard Schneider, Galerie Arditti, Paris, France, 1961

    Gérard Schneider, Kootz Gallery, New York, NY, United States, 1961

    Gérard Schneider, Galerie Im Erker, St. Gallen, Switzerland, 1961

    Gérard Schneider, Galleria Lorenzelli, Milan, Italy, 1961

    Gérard Schneider, retrospective, Kunstverein, Düsseldorf, Germany / Palais des beaux-arts, Brussels, Belgium, 1962

    Gérard Schneider, Galerie Kriegel, Paris, France, 1962

    Gérard Schneider, Galleria II Centro, Naples, Italy, 1964

    Gérard Schneider, Galleria II Cancello, Bologna, Italy, 1964

    Gérard Schneider, Galerie Argos, Nantes, France, 1964

    Gérard Schneider, Galerie Arnaud, Paris, France, 1965

    Gérard Schneider, Galleria Lorenzelli, Bergamo, Italy, 1965

    Gérard Schneider, Gallerie Flaviana, Locarno, Switzerland, 1965

    Gérard Schneider, Musée des beaux-arts, Verviers, Belgium, 1965

    Venice Biennale, Italy, 1966

    Gérard Schneider, Galerie Arnaud, Paris, France, 1967

    Gérard Schneider, Institut Français, Barcelona, Spain, 1967

    Gérard Schneider, Centro culturale Antonio Rosmini, Trento, Italy, 1968

    Gérard Schneider, Galerie Arnaud, Paris, France, 1968

    Gérard Schneider, Galleria San Fedele, Milan, Italy, 1968

    Gérard Schneider, Institut Français, Rabat / Centre Culturel Français, Casablanca, Morocco, 1968

    Gérard Schneider, Galleria Martano Due, Turin, Italy, 1968

    Gérard Schneider, rétrospective, Galleria Civica d’Arte Moderna, Turin, Italy / Pavillon Terre des Hommes, Montreal, Canada, 1970

    Gérard Schneider, Galerie Arnaud, Paris, France, 1970

    Gérard Schneider, Salles des Expositions municipales, Vitry-sur-Seine, France, 1970

    Gérard Schneider, Galerie Cavalero, Cannes, France, 1970

    Gérard Schneider, Galerie Gilles Corbeil, Montreal, Canada, 1970

    Gérard Schneider, Galleria Falchi, Milan, Italy, 1970

    Gérard Schneider, Galleria La Nuova Loggia, Bologna, Italy, 1971

    Gérard Schneider, Galleria Lorenzelli, Milan, Italy, 1972

    Gérard Schneider, Galerie Protée, Toulouse, France, 1972

    Gérard Schneider, Galerie Cazenave, Paris, France, 1972

    Gérard Schneider, Galerie Cavalero, Cannes, France, 1972

    Gérard Schneider, Galerie Paul Bruck, Luxembourg, 1973

    Gérard Schneider, Galleria R. Rotta, Genoa, Italy, 1973

    Gérard Schneider, Maisons des jeunes et de la culture de Belleville, Paris; Thonon-les-Bains; Toulouse, France, 1974

    Gérard Schneider, Galleria Lorenzelli, Milan, Italy, 1974

    Gérard Schneider, Galerie Beaubourg, Paris, France, 1974

    Gérard Schneider, Galerie Cavalero, Cannes, France, 1974

    Gérard Schneider, Galerie Protée, Toulouse, France, 1974

    Gérard Schneider, Galleria La Nuova Città, Brescia, Italy, 1974

    Gérard Schneider, Galerie Beaubourg, Paris, France, 1975

    Gérard Schneider, Galerie Albert Verbeke, Paris, France, 1975

    Gérard Schneider, Art Club Frédéric Gollong, Saint-Paul-de-Vence, France, 1975

    Gérard Schneider, Galerie la Main de Fer, Perpignan, France, 1975

    Temperas de Gérard Schneider, DEXA Galeria de Arte, Panama, 1975

    Gérard Schneider, Festival des arts, Reykjavik, Iceland, 1976

    Gérard Schneider, Institut Français, Oslo, Norway, 1976

    Gérard Schneider, Galerie d’Orsay, Cannes, France, 1976

    Gérard Schneider, Galerie Le Dessin, Paris, France, 1976

    Gérard Schneider, Galerie Beaubourg, Paris, France, 1977

    Gérard Schneider, Galerie Lucas, Gandia, Spain, 1978

    Gérard Schneider, Kunstmesse, Galerie Flaviana, Basel, Switzerland, 1978

    Gérard Schneider, Galerie Flaviana, Locarno, Switzerland, 1978

    Gérard Schneider, Centre culturel, Ris-Orangis, France, 1978

    Gérard Schneider, Galerie Kandinsky, Madrid, Spain, 1979

    Gérard Schneider, Galerie Art 62, Cannes, France, 1982

    Gérard Schneider, Studio d’arte contemporanea Dabbeni, Lugano, Switzerland, 1982

    Rétrospective, Musée d’Art et d’Histoire, Neuchâtel, Switzerland / Musée d’Art Contemporain, Dunkirk, France, 1983

    Fiac, Galerie Patrice Trigano, Paris, France, 1983

    Gérard Schneider, Galerie Jacqueline Storm, Lille, France, 1984

    Gérard Schneider, Galerie Léa Gredt, Luxembourg, 1985

    Gérard Schneider, Salle d’expositions municipales, Nancy, France, 1985

    Gérard Schneider, Kunstmesse, Galerie Pierre Huber, Basel, Switzerland, 1985

    Gérard Schneider, Galerie Sapone, Nice, France, 1985

    Gérard Schneider, Galleria Lorenzelli, Milan, Italy, 1986

    Gérard Schneider, Galerie Beaubourg, Paris, France, 1986

    Gérard Schneider, Galerie Ditesheim, Neuchâtel, Switzerland, 1986

    Gérard Schneider, Galerie Hélène Trintignant, Montpellier, France, 1986

    Gérard Schneider, Galerie am Züriberg, Zurich, Switzerland, 1986

    Gérard Schneider, Galerie Patrice Trigano, Paris, France, 1986

    Gérard Schneider, Galleria Saint-André, Savona, Italy, 1986

    Gérard Schneider, Château de Pondres, festival de Montpellier, France, 1986

    Gérard Schneider, Galerie Pierre Huber, Geneva, Switzerland, 1986

    Gérard Schneider, Galleria Peccolo, Livorno, Italy, 1986

    Hommage à Gérard Schneider, PACA, Angers; Cholet; Saumur, France, 1986

    Gérard Schneider, Galerie Heyram, Paris, France, 1987

    Gérard Schneider, Galleria Lorenzelli, Milan, Italy, 1987

    Gérard Schneider, Maison des Princes, Pérouges, France, 1988

    Gérard Schneider, Galerie Heyram, Paris, France, 1988

    Gérard Schneider, Galerie Royal Fine Arts, Geneva, Switzerland, 1988

    Gérard Schneider, Galerie Léa Gredt, Luxembourg, 1988

    Gérard Schneider, Galerie ML Muller, Auvernier, Switzerland, 1988

    Gérard Schneider, Centre d’Art Contemporain, Évry, France, 1988

    Gérard Schneider, Galerie Heyram, Paris, France, 1989

    Gérard Schneider, Galleria Lorenzelli, Milan, Italy, 1989

    Gérard Schneider, Galerie Vega, Paris, France, 1989

    Schneider, Galerie Prazan-Fitoussi, Paris, France, 1989

    Schneider, Fondation Vasarely, Aix-en-Provence, France, 1989

    Gérard Schneider, Galerie Proarta, Zurich, Switzerland, 1990

    Gérard Schneider, Musée Pierre von Allmen, Thielle Wavre, Neuchâtel, Switzerland, 1990

    Gérard Schneider, Galerie Heyram, Paris, France, 1990

    Gérard Schneider, Galerie Prazan-Fitoussi, Paris, France, 1990

    Schneider, Galleria Tega, Milan, Italy, 1990

    Gérard Schneider, Scène Nationale, Cherbourg, France, 1991

    Gérard Schneider, Espace Athanor, Guérande, France, 1991

    Gérard Schneider, Palais des Festivals, Biarritz, France, 1992

    Gérard Schneider, Musée Hébert, Grenoble, France, 1992

    Gérard Schneider, Château d’Amboise, France, 1992

    Gérard Schneider, Espace Saint-Jean, Melun, France, 1993

    Gérard Schneider, Maison de la Culture, Nevers, France, 1993

    Schneider, Rétrospective, Angers; Bourges; Clermont Ferrand; Cahors; Carcassonne; Montbéliard; Quimperlé; Le Mans; Millau; Metz, France, 2005-1998

    Schneider, Los años 50, Fundación BBK, Bilbao, Spain, 2006

    Schneider, au cœur de l’abstraction lyrique, Musée de Millau, Millau, France, 2006

    Schneider, œuvres majeures, FIAC, Galerie Applicat Prazan, Grand Palais, Paris, France, 2006

    Schneider, œuvres majeures, Galerie Applicat-Prazan, Paris, France, 2006

    Schneider - La métamorphose du lyrisme. Parcours 1916-1986, Musée de l’Hôtel-Dieu, Mantes-la-Jolie, France, 2007

    Gérard Schneider, Galleria d’Arte Maggiore G.A.M., Bologna, Italy, 2008

    Gérard Schneider, Grands gestes pour un grand monde, Musée d’Art et d'Histoire, Neuchâtel, Switzerland, 2011

    Gérard Schneider, Abstrait lyrique, Galleria Lorenzelli, Milan, Italy, 2012

    Gérard Schneider - The Lyrical Abstraction as Asceticism, Galerie Artvera’s, Geneva, Switzerland, 2012

    Gérard Schneider, Rétrospective, Musée des beaux-arts d’Orléans, France, 2013

    Gérard Schneider, Abstrait lyrique, Galleria Spazia, Bologna, Italy, 2013

    Gérard Schneider, Galerie Diane de Polignac, Paris, France, 2014

    Gérard Schneider, Galerie Bertrand Trocmez, Clermont Ferrand, France, 2014

    Gérard Schneider 1945-1955, de l’abstraction au lyrisme, Galerie Diane de Polignac, Paris, France, 2017

    Gérard Schneider, La naissance du geste, œuvres sur papier 1944-1959, Galerie Diane de Polignac, Paris, France, 2020

    Le Geste et la couleur, œuvres sur papier des années 1960, Galerie Diane de Polignac, Paris, France, 2020

    Gérard Schneider, On Paper, 1944-1959, Galerie Aliénor Prouvost, Brussels, Belgium, 2020

    Gérard Schneider, Lyrisme(s), Galerie Diane de Polignac, Paris, France, 2022

    Gérard Schneider, Galerie Perrotin, Paris, France, 2022

    Gérard Schneider, Independant Art Fair - Galerie Perrotin, New York, NY, United States, 2022

    Gérard Schneider, Espaces colorés – Œuvres 1970-1978, Galerie Diane de Polignac, Paris, France, 2024

  • Bibliography
    studio rue Armand-Moisant, Paris, France, 1952. Photo : Denise Colomb © Donation Denise Colomb, Ministère de la Culture (France) - Médiathèque de l’architecture et du patrimoine - Diffusion RMN / Adagp, Paris
    studio rue Armand-Moisant, Paris, France, 1952. Photo : Denise Colomb © Donation Denise Colomb, Ministère de la Culture (France) - Médiathèque de l’architecture et du patrimoine - Diffusion RMN / Adagp, Paris

    Marcel Pobé, Schneider, Paris, Georges Fall, 1959

     

    Michel Ragon, Schneider, Amriswill, Bodensee Verlag, 1961

     

    Marcel Brion, Roger van Gindertael, Schneider, Venise, Al eri, 1967

     

    Gérard Schneider, cat. exp. Turin, Galleria civica d’Arte moderna (16 avr.–24 mai 1970), Turin, Galleria civica d’Arte moderna, 1970

     

    Gérard Schneider, Eugène Ionesco (préf.), Mots au vol, Paris, Éditions Saint-Germain-des- Prés, 1974

     

    Pierre von Allmen (dir.), Jean-Marie Dunoyer, Schneider, cat. exp., Neuchâtel, Musée d’Art et d’Histoire (26 févr.–17 avr. 1983), Neuchâtel, Musée d’Art et d’Histoire de Neuchâtel, 1983

     

    Jean Orizet, Schneider Peintures, Paris, La différence / l’autre musée, 1984

     

    Daniel Chabrissoux, Loïs Frederick, Gérard Schneider : œuvres de 1916 à 1986, cat. exp. Angers, (1991), Angers, Expressions contemporaines, 1991

     

    Lydia Harambourg, L’École de Paris, 1945-1965 – Dictionnaire des peintres, Lausanne, Ides et Calendes, 1993 (mise à jour de Clotilde Scordia, Ides et Calendes, Neuchâtel, 2010)

     

    Michel Ragon, Schneider, Angers, Expressions contemporaines, 1998

     

    Patrick-Gilles Persin, L'Envolée lyrique Paris 1945-1956, cat. exp., Paris, Musée du Luxembourg (26 avr.-6 août 2006), Milan, Skira, 2006

     

    Éric de Chassey (dir.), Éveline Notter (dir.), Justine Moeckli et al., Les Sujets de l'abstraction. Peinture non-figurative de la seconde École de Paris, 1946-1962. 101 Chefs-d'œuvre de la Fondation Gandur pour l'Art, cat. exp., Genève, Musée Rath (6 mai-14 août 2011) / Montpellier, Musée Favre (3 déc. 2011-25 mars 2012), Milan, 5 continents, 2011

     

    Laurence Schneider, GÉRARD SCHNEIDER, cat. exp., Paris, Galerie Diane de Polignac, 2014

     

    Christian Briend, Nathalie Ernoult, Le Geste et la Matière - Une abstraction « autre » - Paris, 1945-1965, cat. exp., Le François, Martinique, Fondation Clément (22 jan.-16 avr. 2017), Paris / Le François, Centre Pompidou, Paris / Fondation Clément, Le François, Martinique / Somogy éditions d'Art, 2017

     

    Patrick-Gilles Persin, Dominique Gagneux, GÉRARD SCHNEIDER 1945-1955, De l’abstraction au lyrisme, cat. exp., Paris, Galerie Diane de Polignac, 2017

     

    Christian Demare, GÉRARD SCHNEIDER, La naissance du geste, Œuvres sur papier 1944-1959, cat. exp., Paris, Galerie Diane de Polignac, 2020

     

    Christian Demare, GÉRARD SCHNEIDER, Le geste et la couleur, Œuvres sur papier des années 1960, cat. exp., Paris, Galerie Diane de Polignac, 2020

     

    Laurence Schneider, Christian Demare & Astrid de Monteverde, GÉRARD SCHNEIDER, Lyrisme(s), cat. exp., Paris, Galerie Diane de Polignac, 2022

     

    Christian Demare, GÉRARD SCHNEIDER, Espaces colorés – Œuvres 1970-1978, cat. exp., Paris, Galerie Diane de Polignac, 2024

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